john talabot releases his long sought after loud places dubs. as premiered axel boman on june s beats in space show, the ‘higher’ dub has been has been rinsed by djs this summer. a brand new ‘without me’ dub features on the flip. one for the sunrise and one for the afterparty. limited edition.

felix dickinson and jaime read met in brighton in 1995 when jaime was producing music for felix’s label ugly music. united by a love of chicago house music they held a 5 yr residency together in their hometown brighton. during this time jaime continued to make music for felix’s label as well as on his own label push 2 shove under the moniker lhas (the larry heard appreciation society). they soon found homes for their tracks on doc martin’s wax records, the belgian label eskimo and felix’s new label cynic music. more recently they have released tracks for tsuba and rong as lhas inc. there is a remix by neville watson. you may know him for his work with kink or his releases on clone and creme.

this november will see def mix join forces with sosure music to release boyz! from the late frankie knuckles, accompanied by remixes from david morales and farley & heller.

remixes for jamie xxs *loud places* coming from herbert, john talabot, tessela and barnt.

we dig deep into trax s vaults to unearth some unreleased super rare versions of some trax classics. vol. 1 contains two ron hardy reel to reel edit s of jamie principle & frankie knuckles classics -bad boy- and -baby wants to ride-. very different to the final released versions these are personal edits ron made to play at the music box, chicago in the mid-late 80 s. released in conjunction with trax 2015.

we dig deep into traxs vaults to unearth some unreleased versions of some trax classics. vol. 2 contains a ron hardy reel to reel edit of jamie principles waiting on my angel while the original demo version of frankie knuckles your love containing haunting female vocals is on the flip. released in conjunction with trax 2015.

special rerelease.. time has come to unleash the fifth cut of the beatjackerz series. 50hz has been one of the key imprint when it comes to serious chicago jacking. each and every release comes with a dancefloor session by numerous well-known players. here are two more legends of jack, jamie bissmire and bam bam. no introduction needed, we are sure. let the beats do the talking and the groove do the jackin! a serious taste of what has been pumping through the heart of chicago for many decades now..! complete with vocal version, instrumental and even an accapella bonus!

jamie lidell is a british vocalist, producer and warp recording artist with a string of intelligent, soulful electronic albums under his belt.a: new eyes b: seye wen... the vinyl factory has partnered american multi-media artist doug aitken and the barbican to bring his acclaimed station to station: a 30 day happening to the uk for a month-long. for the duration of the event, which features residencies, installations, live performances, workshops, screenings and more, the vinyl factory has created the vinyl factory recording studio to provide a space for musicians and artists to experiment and improvise and has installed the vinyl factory press on-site to manufacture these recordings into vinyl editions.

the kachiri remix ep features a varied selection from some of the finest. kicking off with tronik youth who takes the title track and reboots into a harder darker groove, pushing the synths to breaking point. man power ignites a fire on the dancefloor with real bass and spacey chords. ivan smagghe creates an off kilter eclectic groove with a different energy. jamie patton dubs out pink ghost with a twisted and warped groove that takes it to a new cosmos. whilst, kasper bjorke takes us down to the sea with his love vibes and tropical rework of volupia. craig bratley adds his dark synths and toughened grooves for late night dance floors. two mamarrachos lead us on an epic 11 minute journey with their massive pink ghost funk groove.

one of the uks most enigmatic bootleg labels returns for its fourth installment of dancefloor bombs and feel good hits. following the trail blazed by early bootleg pioneers such as ron hardy and john morales, boogiefuturo presents two instant classics for the edits hall of fame. * give me some emotion* features an expertly amped-up sample of a particularly well-known female vocalist (we don’t want to give too much away now). jamie bull’s edit respectfully takes the track into the 21st century, with solid, punchy drums and big room snare reverbs to support the original boogie funk synth lines and staccato guitars. sing along vocals and catchy hooks make this a fine addition to any vinyl junkie’s record bag. ‘lovin’ spree’ continues the boogifuturo tradition of tasteful edits. neil diablo loops an infectious guitar hook with the addition of low growling synths and rhodes keys, to build the track into a crescendo timeless disco strings, chant-along vocals and killer sax solos. an underground classic on the disco scene but never reaching the heights of commercial success, diablo presents an edit to give this forgotten record new life. boogiefuturo is vinyl only and strictly underground, this won’t be played out by everyone – this one is for the purists, the vinyl addicts, the one’s that reminisce over the days when the white label ruled…

the debut album from jamie xx as standard black vinyl lp, cut at 33rpm. includes a cd-copy of the album.

one sided album teaser .. in limited supply..

for the second release on robertos new fossil archive imprint, he teams up with artforms jamie anderson. technology is fine, but music production is a human thing. a social thing

lht 009 is here with the second installment of jamie blancos unknown reason as the a side, the original mix which creates a moment of late night drama for dancers, fx mchn makes a welcome return with his trademark dark eerie sound, rolling mutating crispy beats and weird vocal samples, then its a newcomer to lht, old friend of the label dan clark as in his late night audio production guise utilises the vocal skills of a local hackney girl and adds them to a proper shuffling beat and super deep bassline, and finally mainstay facade brings us one of his best pieces of work yet with a stunning slow analogue house workout that goes way deep with added dub delay fx warm chords and arpeggiating bassline

repress 2015
heres the pitch: ask six of chicagos finest exponents of bumping house and pitched down disco cuts to contribute some of their finest works, blend them all together and present in the appropriate space either side of two 12 inch slabs. whats the end product? the rather hot looking chicago service from the amsterdam label lumberjacks in hell which features a merry cast of the citys finest in gene hunt, rahaan, jamie 3:26, cratebug, hugo h and boogie nite across two hot plates.

a1 facade - tampa bay is tried and tested house weapon that we ve had since the label began waiting for the right fit, he comes with his garage beats, deep chords and infectious melodies - simple, driving, effective.
a2 prima - dont stop - lht label co partner delivers a twisted mutating late night tool that instructs you to dont stop dancing til the sun has well and truly risen or at least the smoke has cleared.
b1 jamie blanco - unknown reason (alphonse drum prequel) - jamie met alphonse in the studio again, they messed with his track and got the dub machine working overtime on the 808, look out for main mix on the next release.
b2 kruton - lagoon - the sleeping giant here on b2, kruton is not be messed with, he channels a certain mr atkins here and delivers a dream machine opus.

here is the second vinyl only instalment from farfromnormal records, with a fantastic 4 track ep from the young upcoming producer jamie haus, this record hold s 3 original tracks from jamie and a amazing remix from the young romanian groovesh. this record has a totally different vibe compared to the labels first release with a much heavier techno roll. mattur is a good example of this, whilst inter finds jamie haus on a much darker, dub vibe. meiose is packed with a fantastic rolling kick with atmospheric noises in the back, whilst the groovesh remix comes with that brilliant romanian touch that everyone is asking for

with the bizarre feeling ep laying the sound for the subsequent fist year of the label, it is right jamie returns with ep#2 to move things forward with another twisted take on his unique mutoid-protoid-machine-funk-groove. starting with mad obsession you would be forgiven for thinking you ll have bizarre feeling part 2, with warped vocals - taken from late night, half asleep scribbled notes - and space echo haze, but let the percussion work-out trip you up and the stars in and before you know it things start going leftfild and then deeper with the free party sound system bass line shuffl of time nearly time. what he is on (about), no one knows. it is on the flp however that things take a darker turn. beyond the confession booth, down sharp stairs and dripping ceiling to a red light lit room of latter day late night blues.

roots for bloom label boss jamie trench kicks off the label offshoot rfbcolours with a collaboration ep alongside rebel. the a side tracks come from jamie himself. -good love- has a stripped back garage feel with a jacking and filtered vocal carrying it, then stapled brings things across with a more techno feel with strong stabs and background drifting chords. the b side is where we see rebel s input, with the rolling and infectious in the end . the groove is again stripped back and simple but it s this that carries the vocal that demands your attention. the two then pair up for we don t fly first class and it s apparent to hear in the track where the two come together well. this one is driven by a huge sub bass line and simple stabs and talking and seductive vocal lines.

onnsets first release by jamie curnock begins the project with an introduction into the tougher sounds from the label in the form of grown and transportation. truss manages to take this a step further with his punishing remix. as onnset isnt strictly defined by a heavier sound, there is always room for the more experimental, as shown in the opening track extract and the deeper final track scavenger

two of the uks finest underground labels join forces and share their talent on this killer 12inch. from iib we have coyote s sin distracciounes, an upbeat sunkissed dancefloor meditation featuring the blissed out flamenco guitar of long time collaborator saro tribastone. futurboogies christophe remixes and chops up the guitar and adds some gypsymenesque organ stabs and layers of keys. futureboogies felix dickinson and jamie read drop the funky guitar heavy restless people. sublime chugging beats and a beautiful vocal refrain imploring slow it down creating a laidback house monster. iibs max essa puts his remix right in the middle of the dancefloor with straight up house vibes and extra percussion.

to accompany the release of especial s compilation mix cd, -eleccio- - offering of a snapshot of the first 9 eps on the label - a limited edition sampler ep is being released featuring 4 unreleased remixes from the label s roster to date. ever since the first white labels appeared at the end of summer 2013, emotional especial has had a busy release schedule, putting out music that are a slightly warped take on club music. mixing the influences of dub, electro, disco, proto-house, house and techno, a feeling, a sound, a vibe has appeared without any preordained plan. with the release of ees10cd - a dj meets studio compilation mix created by label mainstay and handyman, jamie paton - to mark the end of first series of the label, it was decided to included a couple of specal unreleased remixes to add a bit of new with the old in the mix. to that end this limited edition vinyl sampler was created to include the two remixes, plus the inclusion of another two gems that simply needed to see the light of day. first is the alternative -member- remix of inhalt by black merlin - a strings meets leather bar club-dub-out that takes things deeper and darker than before. this is followed by jamie delivering his own take of khidja s massive mustafa, with a warped, swamped out dub. next is another mix from cage & aviary of their pals, blancemange. brooding low-slung rerub dub anyone? finally there is a very special remix by khidja of the ganges orchestra. reissued on emotional rescue in 2013, this special remix takes the vocal mantra of the original and creates a balearic-raga tale that perfectly rounds off especial to date.

cat in a tree recordings proudly brings you two tracks from two of the worlds finest producers of house music

after some great response from 005 we seem to have a little groove on here and we are ready 006 with what might be my personal favorite ep so far, i find it very hard to choose a favorite here - i hope you do too!

hot creations are back with another killer release, this time at the hands igor vicente who previously released on the label back in 2011 with the brilliant breathe n pop as part of the duo ultrasone. with the ultrasone project at an end, igor this time flies solo for the label, delivering two standout originals with intoxicating bass-lines and dark whispered vocals, creating endless energy of swing and groove to really work the crowd at peak time. hot creations boss jamie jones also delivers an on point remix of ‘the knight with his electric jones remix adding new synth melodies and wonky fx, keeping high energy for dance-floor domination.

we are back for the first release of the year - a nice mixed bag as ever - featuring label partner prima s first solo effort - grooves effortlessly and into darkest africa , other half of lht alphonse brings the drama with - acid melody - youngest member jamie blanco makes a welcome return - with his trippy little black jack and finally newest recruit asok crunches out this classic sounding piece of 4 to the floor goodness. limited to 200 copies: act fast

roots for bloom shag edits series returns with volume 3. m.james brings us a track that will catch any music lovers ear.

roots for bloom bring in four new faces for the seventh release. we see label boss jamie trench deliver an edit and remix of daniel curpen - daddy was a thug, and david moran teams up with albert vogt for their track cut loose and then collabs with mark crumbs for tha bassment. the a side sees jamie bring a rolling dub edit to daniels original and then takes things a little darker for the a2 remix. david morans cut loose shows off the vocal talents of albert vogt which grooves along seductively, then tha bassment as expected brings things a little harder and more for those after hour spots.

emotional especial is the new label from the emotional recordings stable. a sub label to emotional response, especial is though squarely aimed at the floor rather than the head. in a similar vain to the limited 4 eps-only label that was emotional relish, it will merge the sounds and styles that influence contemporary electronic producers, taking in new wave, new beat, ebm and proto-house to create something modern. jamie paton of cage & aviary helms the debut release with bizarre feeling. a youth soaking up punk, dub and new wave, the ep acts at times as a homage to the sounds of new order, the the, kraftwerk and the then other-wordly machine funk emanating out of mid-80s chicago. with both timothy j fairplay and scott fraser aiding and abetting down in the scrutton street bunker studio, with keys, guitar and a heavy dose of space echo, plus hypnotic fx laden vocals from jamie himself, all propel the ep beyond pastische and make the perfect start to especial.

in order to know virtue we must first acquaint ourselves with vice vice&virtue is a new electronic label from death on the balcony. v&v will strive to release quality, honest music aimed at the dancefloor with a view to longevity, integrity & musicality.

limitierte und colorierte 12 inch auskopplung aus dem aktuellen, selbstbetitelten jamie-lidell-goes-prince-album von anfang 2013 mit klasse neuen remixes von machinedrum, jimmy edagr, crackboy und lorenz rhode von der jamie lidell band.

messalina records return with a fantastic ep of eclectic dancefloor bubblers from fellow we love space residents jamie fatneck low and lucci capri (aka dj callum). first up is the eagerly awaited vinyl release of fatnecks incredible acid rework of michael jacksons classic billie jean, highly in-demand since receiving heavy rotation from greg wilson (the only dj lucky enough to have a copy) who nicely sums the track up...i love the way fatneck has put a somewhat psychotic twist on billie jean via his acid interpretation - inspired west yorkshire wacko madness! next up lucci capri delivers the quirky balearic chugger dame un beso, with super-sweet latino lyrics and a great reggae-influenced swing. flip over for the beautifully understated because today i saw u which melds a cool deep house groove with esther phillips yearning vocals. rounding off the ep in style is fatnecks superb dancefloor-friendly edit of the aretha franklin version what a fool believes. great stuff - welcome back messalina!

attributed with fueling music is loves recent rich rein of form is jamie trench, who himself continues along a flourishing 2013 after a set of very impressive releases on his own imprint roots for bloom as well tsuba limited.

four up-and-coming artists appear on shag edits volume 2 which is kick-started by rebels *you somebodies*, a bassy piece of looping filter house meant for peak time play. newcomer riri throws down jazzy horns, marching snares and acoustic rimshots in a slow moving *get it on*, while chockys *i like* features cut vocals caught between interchanging melodies of pulsating rhythms. jamie trench, responsible for the labels first ep, delivers sexy vocals in *locks, frocks & 2 floating sparrows*, a laid back disco joint with the same summery vibe as barmy miami night.

the next instalment, we feature artists from the growing lht family jamie blanco opens the record with his accomplice sam mensah on singin duties - jamie and alphonse worked in the studio together on this version we think will appeal to fans of real house music next up is bintus of power vacuum with his first original track on lht and theres no messing about - raw acid and stripped drums and at a pace that we can dance too, label boss alphonse opens side b with a deep 808 jam and this is followed by lht studio wizz facade who finishes with another piece of what can only be described as big.

one of the uks most established and consistent deep house producers, jimpster, is due to drop his eagerly anticipated porchlight and rockingchairs lp. his first studio album in six years sees him continue where he left off on the 2006 masterpiece amour by taking the blueprint of house music and infusing it with an attention to detail and musicality often lacking in much of todays more disposable dance music. during the interim period, jamie has maintained a key role in two of the uks most successful house labels, freerange and delusions of grandeur, where he continues to pick up and establish new talent at an impressive rate. over the course of his 23 year career so far he has remixed everyone from josh wink, osunlade and solomun through to bob marley, airto moreira and seal, as well as continuing to dj week-in week-out at many of the worlds best clubs and festivals.

introducing haraket, a 5 piece from south london who are set to release their debut 12 inch single on melodic recordings this spring. the band emerged from the creative chaos of school and college bands in and around peckham that have already given the world king krule. this is the first in a series of releases with melodica recordings, with an album due next year. haraket fuse wall-of-sound dynamics with often delicate source material, moody electronics, programmed beats and effected vocal lines. think a post dubstep version of early underworld or a certain ratio reinvented by the new digital century.

250 copies - vinyl only! being praised by the likes of derrick may, jamie andersons (cocoon, rekids, dessous) 1992 get remixed by red d, the man behind we play house recordings, fcl its you.

2012 was without doubt the breakthrough year for south london ordnance. in the space of twelve months the 23 year old artist put out three separate 12 inches alongside a five track ep, which garnered support from jamie xx, scuba, benji b, mary ann hobbes, mosca, claude vonstroke, richie hawtin and more. his jungle-advised, finely honed productions also rightly earned him notable mention in several annual end of year roundups including dj mags best of british 2012, xlr8rs 4th best new act of 2012 (alongside disclosure and karenn), and time out uks djs to watch in 2013. with this debut outing on hotflush recordings scheduled for march, 2013 is set to be yet another strong year for the young producer.

a killer underground house ep from rising star jamie trench. lead track cream with angus jefford is deep & groove heavy house, street lamps has a deeper vibe and ep closer back in the flow walks a dubbier path. another tsuba ltd essential!

jamie lidell besinnt sich auf seine solofähigkeiten als multiinstrumentalist hinter laptops und analogen synthesizern und liefert ein superbes album mit einflüssen von george clinton, cameo, mtume, new jack swing und bobby brown ab. bereits die teasersingle, das bassmonster *what a shame*, steht seit wochen in den top 10 der deutschen collegecharts und erhält von der fachpresse die prädikate best new track (pitchfork) und *a post-dubstep drunken monster of a track* (stereogum). das jazzthing ehrt jamie mit einer titelstory. nach kooperationen mit cristian vogel (als super_collider), simian mobile disco, beck oder grizzly bears chris taylor und lebensstationen von berlin bis new york, hat der brite nun sein neues zuhause samt studio im traditionsbrennpunkt nashville aufgeschlagen.
doppel 12 inch >vinyl im klappcover, inklusive mp3 downloadcode.

vol 6 of 6 vinyl samplers taken from john digweeds >live in london< lp. hand picked by the main man himself.

here it is - the one you have all been waiting for! mr four tet finally gets round to rounding off the pink series with two heavyweight mixes. child genius happa whips >jupiters< into a blistering funk attack while jamie xx wraps >lion< all up in black and sends it back to the dancefloor. very limited as always!

>in her eyes< is the first release of vito de lucas label, aeropop. it is also the first original aeroplane material since >save me now< and the in-flight entertainment compilation. thats two pretty good reasons to check this record out - two more are the fantastic remixes by tiger & woods and chopstick & johnjon.

after an acclaimed serie of remixes on labels like freerange, fresh meat, composite & komplex de deep in 2011, dairmount is back on his own imprint with dust devil. recorded this summer between gothenburg & berlin with nowakowski, the swedish hotshot of the label, dust devil emphasized strongly dairmount s love for house music infused of hip hop attitude. the motto is clear: reduced number of elements, samples only, maximum impact. dairmount, who has always been strongly influenced by hip hop production techniques, had lots of fun to collaborate with nowakowski, another strong hip hop influenced tweaker. following a busy dj schedule that brought him in the last 18 months across scandinavia, us, turkey, france, holland & latvia between others, dairmount is the true soul & ambassador of the label that he created in 2009.
already support by kink, jimpster, deetron, franklin de costa, roberto rodriguez, simbad, charles webster, axel boman, alland byallo, master h, jamie anderson, atjazz, art of tones …,

paper recordings continue their journey back to plastic with another vinyl release once again proving why they remain one of uks best loved labels. jamie l is a mysterious figure of undisclosed origin and history who fits in to the moodymann / theo parrish mold of heavy future disco, which his new production >(what we saw) in the burg< nails. it is a heavy leftfield groove laid over broken house beats with a filtered bass, samples and leftfield vibe. the detroit pad creeps up to the break and filters in and out as the track works its way through for locked down dance floor business. next up, havana candy breaks out the analogue and takes things deeper and techier. with a rolling bass and tweaking acid line, it cuts to a rhodes before filtering down and riding back to the heads down groove. cottam steps up for paper for the first time and demonstrates what all the fuss is about with a very special mix. clocking in at 9.41 it is deep, tough soulful house that crosses the 4/4 divide from techno to disco and deep house to soul.